Ladies and gentlemen, there is Zhuge Liang hall. The lintels and pillars ofthe hall are covered with plaques and couplets left by predecessors. One of themost famous is a couplet hanging in the middle of Zhuge Liang's palace, whichsays: "if you can work hard, you'll lose your mind. From ancient times, you knowthat soldiers are not belligerent; if you don't judge the situation, you'll belenient and strict. Later, you'll have to think deeply about how to governShu.". Lianwen was written by Zhao fan, a native of Jianchuan, Yunnan Provincein the late Qing Dynasty.
The Shanglian said that Zhuge Liang was able to use the tactics of"attacking the heart" in fighting, such as making Meng Huo's heart full ofadmiration when he was in the southern expedition. In this way, he praised ZhugeLiang as a militarist who really knew how to fight with troops, not a warlikeone.
The second couplet praises Zhuge Liang's ability to judge the situation andformulate a lenient and strict law, which has achieved good results, and remindsthose who later govern Sichuan to learn from it. This couplet makes an objectiveevaluation of Zhuge Liang's use of troops and administration, and puts forwardtwo enlightening questions of "attacking the heart" and "judging the situation".It is the top grade of the couplets on the plaque of Wuhou Temple and one of thefamous couplets in China.
In the hall of Zhuge Liang, there are statues of Zhuge Liang, his son andgrandson. Zhuge Liang is like a man on a platform in the middle of the shrine.He has a feather fan and a silk scarf. He is wearing a golden robe. He isconcerned about the country and the people, and has a deep and farsighted look,which shows the demeanor of a generation of Confucians. Zhuge Liang (181-234),who was born in Yinan, Shandong Province, was an outstanding statesman andmilitarist in Chinese history. When he was young, he lived in seclusion inLongzhong, Xiangfan. Because of his intelligence, hard work and ambition, he gotthe reputation of "Wolong". At the request of Liu Bei, he went out of themountain to assist Liu Bei and established Shu Han. After Liu Bei's death, hewas entrusted with the important task of assisting his son Liu Chan, who ruledShu for more than 20 years. He practiced enlightenment, gave strict rewards andpunishments, selected talents and appointed talents, built water conservancy,developed production, marched south to central China, and attacked Qishan in thenorth. With loyalty, diligence, honesty and intelligence, he brought stabilityand prosperity to Shu. Chen Shou, a historian, commented that the state of Shuat that time had clear politics, honest and upright people, open fields, richwarehouses, and peaceful scenes everywhere. Due to overwork, he died inwuzhangyuan army at the age of 54. He was buried at the foot of Dingjun mountainin Mianxian County, Shaanxi Province.
Zhuge Liang has done a lot of good things in his life, such as beingdiligent, loving the people and being beneficial to social progress. After hisdeath, people miss him very much and respect him very much for his spirit ofdevoting himself to his life. As a result, people built one Wuhou Temple afteranother to commemorate him, and worshipped him as a model of loyal officials,virtuous prime minister and the embodiment of wisdom.
Zhuge Zhan, the son of Zhuge Liang, and Zhuge Shang, the grandson of ZhugeLiang, led the Wei army to fight a decisive battle in Mianzhu when the Shu HanDynasty was faced with survival. Finally, they died for their country becausethey were outnumbered.
There is a bronze drum in Zhuge Liang hall, which is a cultural relic inthe fifth and sixth centuries. Bronze drum, originally a cooking utensil ofsouthwest ethnic minorities in ancient times, has appeared as early as thespring and Autumn period and the Warring States period. Later, the bronze drumgradually evolved into a kind of musical instrument and ritual instrument, whichwas used in gatherings and celebrations. It was also a symbol of wealth andpower. It is said that Zhuge Liang used this kind of bronze drum during hissouthern expedition. It was used for cooking in the daytime and for alarming inthe evening. Therefore, it is also called Zhuge drum.
In the wing rooms on both sides outside the hall, there are woodcut poemson display. It's in the west wing_ In the East chamber, there are 12 pieces ofwoodcut "Longzhongdui" and "chushibiao".
Sanyi Temple:
After leaving Zhuge Liang hall, there is Sanyi temple. Sanyi Temple got itsname from offering sacrifices to Liu, Guan and Zhang, who were the three membersof Taoyuan. The temple was built in the reign of Emperor Kangxi of the QingDynasty, with four entrances and five halls. Now only worship hall, main hall,into a courtyard layout. Sanyi temple was originally located in Tidu street inthe center of the city. Due to the need of urban construction, it was moved herein 1997. In the relocation project, in strict accordance with the nationalregulations on cultural relics, the original building components were removed byserial number and transported to the new site to be built according to theserial number to restore the original appearance.
The restored Sanyi temple is towering, and its architectural form is thesame as that of Liubei hall. The roof is a single eaves hard hill type, coveredby green simple tiles. The structure is a wood stone structure, with a beamlifting wooden frame, and the columns and column bases are made of stone. Thereare 40 round columns carved from the whole stone, with a diameter of 0. Fivemeters. There are 24 stone pillars engraved with 12 couplets in gold. In themain hall, clay statues of Liu, Guan and Zhang are restored, and ten stone linedrawings of the story of the three kingdoms are added to the two walls of thegallery. The painting is taken from the Ming Dynasty version of the romance ofthe Three Kingdoms. The materials of these paintings are as follows: Taoyuan SanJie Yi, San Ying Zhan Lu Bu, Zhang Fei whipping du you, Liu Bei recruitingrelatives, Guan Gong scraping bone to cure poison, etc.
Tomb of Liu Bei:
From Sanyi temple to the west, cross the small bridge, pass Guihe buildingand Qinting, and enter the Red Wall Road surrounded by green bamboo. At the endof the road is Liu Bei's tomb. The earth mound of Liu Bei's tomb is 12 metershigh and covered with green shade. There is a 180 meter long brick wallsurrounding the mausoleum. There are steles and halls in front of themausoleum.
After failing to defeat Wu, Liu Bei retreated to Baidi city and settled in220 ad_ He died of illness in April. In May, Zhuge Liang Fuling pivot back toChengdu, August burial, tomb known as "Huiling.". Huiling is a tomb for husbandand wife. At the same time, Mrs. Gan, the mother of empress Liu Chan, wasburied. 20_ Five years later, empress mu, another wife of Liu Bei, died and wasalso buried here. The tomb is more than 1700 years ago. No theft has been found.The condition of the tomb is unknown.
There is a story in Youyang Zazu written by Duan Chengshi in the TangDynasty: a group of tomb robbers entered Liu Bei's Huiling mausoleum on a darknight. When they entered the tomb, they saw that the lights were shining inside.Liu Bei was playing chess with one man and ten warriors stood by one side.Scared out of their wits, the thieves knelt down one after another to beg formercy. Liu Bei waved to the guards to give them jade belts and Qiongjiang. Theydrank the jade paste, tied the jade belt, and climbed out of the hole in panic.Looking back, the hole was naturally sealed. The jade belt became a big snake,wrapped around their waist, and the jade paste became glue and stuck to theirmouth. It is said that no one dares to touch Liu Bei's tomb any more.
Out of Liu Bei's tomb, we come to the newly built exhibition area of "ThreeKingdoms culture". The exhibition area consists of exhibition hall and externalenvironment. The external environment is composed of gods and beasts Tianlu,dispelling evil spirits, remnant pillars of the Han Palace, soldiers fightingfor the country, stone inscriptions on the remnant wall, Linjiang immortal byYang Shen, and preface of stone inscriptions. The exhibition hall is dividedinto five exhibition areas, which are war situation, a glimpse of agricultureand mulberry, folk customs, art and forest, and the lingering charm of Liufeng.There are hundreds of cultural relics, materials and pictures on display. Thematerials are rich and colorful, the artistic techniques are vivid andintuitive, and the collection of knowledge and appreciation is one of them,which is very worthy of careful observation.
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